Lots of stuff has been written and said about the whole affair and I’m not really going there. The thing I’m focused on is the “content vs. container” issue and how it really fits into this but hasn’t really been brought up as such. It’s clear that the current model is not sustainable, but I also think libraries are in a painful transition where we’re all coming to terms to the shift from the physical to digital… just like music did 10 years ago. David Lee King touched upon this a while back when he asked what’s a real book?
I think it’s time for us librarians to get over our paper fetish.
Content and container â€“ the two are really, truly, different. Books are stories or a largish chunk of non-fiction text â€“ novels, biographies, histories, etc. The format or container? This tends to change (though it hasnâ€™t in a long time).
I think we all agree that physical books have to be treated somewhat different than ebooks, but it has to be reasonable to all involved, not punitive. We can all get behind Librarians Against DRM, but I don’t think we’ve moved to the shift yet. It’s not gonna happen overnight. I mean, look at how long we got to where we are with music.
I remember when Napster came on the scene. I remember how exciting it was and how nobody really thought about the legalities. Now, as the landscape has matured, it’s clear piracy won’t go away, but it’s also been shown that a lot of piracy is a reaction to crappy options. Until the publishers/labels/studios make a fairly priced, accessible, and convenient product, lots of people will continue to pirate. It’s obvious.
What’s this got to do with fetishizing the container? Well, I think the publishers and librarians are still doing it with the books. We haven’t accepted that an ebook/PDF is not the same thing. I mean, we know they aren’t but all parties involved aren’t really sure how to proceed, which has left to this #hcod debacle. So I really think we need to look to music. The only problem is that I don’t see how libraries can insert themselves into the solution.
People love iTunes and the Amazon MP3 store. eMusic has been a legal option for a long time. Labels have gotten into the game with offering download codes. What’s happened? Well, in 2010 vinyl had a 33% jump in sales. Now, of course it’s not to say that piracy is dead, but there are user friendly options that aren’t adversarial. Instead, they make people enjoy the product. It’s made it all easier for me to get back in love with vinyl. The sound, the feel, the collecting them like Pokemon. I’m all about it, but I think it’s easier for me to choose because I’m also subscribed to MOG.
So we need to work with the creators and the publishers to find the happy ground where we all benefit. We need to speak for the users.